One character in four shots, from text alone

The image is a square realistic studio headshot photograph of a woman in her early thirties with deep brown skin, the left side of her head shaved close and the top a cropped mass of silver-dyed tight curls, a thin pale scar crossing her right eyebrow, round brass-rimmed glasses, a single small gold hoop in her left ear only, wearing an olive-green bomber jacket with a small orange rectangular patch on the left chest that reads "K-7" in black capitals, over a mustard-yellow hoodie, framed from the upper chest up and centred, facing the camera directly with a calm neutral expression, the background a plain seamless mid-grey backdrop. The patch on the jacket is visible at the lower-left of the frame. The lighting is soft frontal key light from a large source slightly above the camera with gentle fill from the right. The overall composition is simple and symmetrical, the palette built from olive, mustard and grey, and the mood is direct and composed.

The image is a vertical realistic full-length photograph of a woman in her early thirties with deep brown skin, the left side of her head shaved close and the top a cropped mass of silver-dyed tight curls, a thin pale scar crossing her right eyebrow, round brass-rimmed glasses, a single small gold hoop in her left ear only, wearing an olive-green bomber jacket with a small orange rectangular patch on the left chest that reads "K-7" in black capitals, over a mustard-yellow hoodie, walking toward the camera through a covered fruit market in the morning, her whole body visible from head to shoes, carrying a brown paper bag of oranges in her right arm, the background a long aisle of stalls piled with fruit under a high glass roof. On the left side of the frame a stallholder in a green apron weighs apples. On the right side of the frame crates of lemons are stacked high. The lighting is soft diffused daylight from the glass roof above. The overall composition is vertical and centred with the aisle leading back behind her, the palette built from olive, mustard and the bright fruit colours, and the mood is busy and everyday.

The image is a wide realistic photograph of a woman in her early thirties with deep brown skin, the left side of her head shaved close and the top a cropped mass of silver-dyed tight curls, a thin pale scar crossing her right eyebrow, round brass-rimmed glasses, a single small gold hoop in her left ear only, wearing an olive-green bomber jacket with a small orange rectangular patch on the left chest that reads "K-7" in black capitals, over a mustard-yellow hoodie, riding a black city bicycle across a steel bridge at night in light rain, seen from the side at a moderate distance so that she fills about a third of the frame height, the background the lit skyline of a city across dark water. She is slightly right of centre, leaning forward on the handlebars, her face in profile turned to the left. Along the lower edge of the frame the wet bridge deck reflects the street lamps. Across the upper-left of the frame a row of bridge cables slants down out of the dark. The lighting is cool street lamp light from above with warm reflections from the skyline. The overall composition is wide and horizontal with the rider as the clear focal point, the palette built from olive, mustard, cool blue and amber, and the mood is quiet and moving.

The image is a vertical realistic photograph of a woman in her early thirties with deep brown skin, the left side of her head shaved close and the top a cropped mass of silver-dyed tight curls, a thin pale scar crossing her right eyebrow, round brass-rimmed glasses, a single small gold hoop in her left ear only, wearing an olive-green bomber jacket with a small orange rectangular patch on the left chest that reads "K-7" in black capitals, over a mustard-yellow hoodie, seated in a deep window seat in an old library reading a thick hardback book held open in both hands, turned three quarters to the left so that the shaved left side of her head faces the camera, the background tall wooden shelves of old books. In the upper-left of the frame rain runs down the leaded window panes. In the lower-right corner a brass reading lamp with a green glass shade glows on a side table beside a cup of tea. The lighting is warm lamplight from the lower right mixed with cool grey window light from the left. The overall composition is vertical and intimate, the palette built from olive, mustard, green and dark wood, and the mood is quiet and absorbed.