Kate singing on a stage, render 1 of 3

subject_definitions:
<Subject 1> is the young woman in <Picture 1>, in her early twenties, with shoulder-length wavy mid-brown hair worn loose with soft lilac-purple tones running through the mid-lengths and ends, fair clear skin, blue-grey eyes, dark natural brows and a slim build, wearing a chunky oatmeal-and-brown waffle-knit crew-neck sweater and dark slim jeans. Only her face, hair, colouring and sweater are taken from <Picture 1>; the calm closed-mouth half-smile and the still seated portrait pose in that image are not retained, because she is singing and dancing throughout the target video.
<Subject 2> is the theatre stage in <Picture 2>: a full-width deep red velvet curtain hanging in heavy vertical folds across the back, a glossy honey-coloured wooden floor, a single warm amber followspot throwing a visible cone of light straight down onto centre stage and a dappled gobo pattern across the boards around it, a chrome vocal microphone on a black straight stand at centre, a drum kit on a low riser upstage behind the microphone, a two-tier keyboard rig and stool stage-left, a black monitor wedge and a small warm practical lamp stage-right, and an electric guitar on a stand at the far stage-right edge. Only the layout, shapes, materials, colours and lighting of that image are used. No musicians are present, and the drum kit, keyboards and guitar are never touched or played.

summary:
[reference generation] <Subject 1> stands alone in the followspot at the centre microphone of the empty stage <Subject 2>, sings the opening line of an unaccompanied song, then steps back off the microphone and opens into the first move of a slow dance.

retention_analysis:
<Subject 1> (appears in [Shot 1]): fully_preserved - her face, blue-grey eyes, shoulder-length wavy mid-brown hair with its lilac-purple tones and her chunky oatmeal waffle-knit sweater are retained exactly; the calm still portrait pose of <Picture 1> is not retained.
<Subject 2> (appears in [Shot 1]): partially_preserved - the red velvet curtain, honey wooden floor, amber followspot and gobo dapple, centre microphone stand, drum riser, keyboard rig, monitor wedge and guitar stand are retained in the same layout; the empty framing of <Picture 2> is not retained, because <Subject 1> is performing in the light.

detailed_description:
The target video is photorealistic live-action concert footage shot vertically, filmed on a single locked-off camera at chest height about four metres back from centre stage, lit only by the warm amber followspot against the deep red curtain with the rest of the stage falling away into shadow, with a shallow depth of field so the drum kit and the curtain behind her are softly blurred, and with no on-screen text and no subtitles anywhere.
[Shot 1] The camera is locked off and holds the same full-length wide shot for the whole segment with no cut, her whole body inside the cone of light with headroom above her and the dappled stage floor visible below her feet, never panning, zooming, cutting or changing its distance. She sings unaccompanied in a clear, warm young female voice at a relaxed mid-tempo, her jaw and lips opening and closing distinctly on every syllable so every word of the lyric is clearly formed, and she never settles into a fixed open smile or a laugh that would freeze her mouth. While she is singing her body stays quiet and she moves only her head, shoulders and one hand; every full dance move lands in the gap between sung lines rather than underneath one. She sings exactly the words given below and no others: she does not ad-lib, does not repeat herself, does not hum and does not add any further vocal to fill out the shot. The shot opens on her already standing at the chrome microphone at centre stage inside the cone of amber light, feet together, her right hand resting lightly on the top of the black stand and her left hand at her side, looking straight down the lens. She draws a breath and sings the opening line, her body still and only her shoulders lifting with the phrase, <d>[English] I have been waiting on the light to find me.</d> She closes her mouth on the last word. Only then does she move: she lets go of the microphone stand, takes one unhurried step back and to her right along the boards, and begins a slow half-turn away from the lens with both arms drifting up and out to shoulder height, her hair swinging out behind her. The segment ends mid-turn, her body angled away, arms still raised, her mouth closed and singing nothing.

overall_soundscape:
A large empty theatre's room tone with a long natural reverb tail off the wooden stage and the back wall, her unaccompanied voice carrying out into that space, with the soft scuff and tap of her shoes on the boards and the faint rustle of her sweater as she moves. No instruments are played, there is no audience and there is no other sound.

non_diegetic_music:
N/A